Why Louis C.K. doesn’t let fans take pictures of him.

Are you having actual experiences? Or do you do things simply for the sake of recording and sharing them? It may seem like a silly question, but it’s worth thinking about.

This week comedian Louis C.K. did an iama (“I Am A…”), which is essentialy an intrview with the Reddit hivemind. Reddit loves Louis, so the results were wonderful, but I want to talk about one comment in particular. Louis only recently rose to national prominence, and is now regularly recognized on the streets of New York City where he lives. When a Redditor asked Louis how he feels about this, Louis explained why fans wanting pictures with him made him enjoy meeting them less, at least until he stopped doing pictures with them.

“Every person on the planet now has a camera,” said Louis, “so it sometimes happens that up to 20 people in one day or more want me to pose with them for a picture that they can put it on Facebook. That’s a lot. Also I don’t like doing it. It makes me feel weird.”

He didn’t always mind connecting with fans. In fact, he used to love it: “I remembered that when it was earlier in my career, when someone would say something like, once or twice day, I really liked it and felt genuine interest in them and gratitude”.

So Louis adapted a new policy. “I refuse to ever take a picture with anyone,” he said. “I just say no. I don’t do that. But I shake their hand and I talk to them for a bit. Because I like that. I can tell this disappoints people for a second but as we talk they feel okay about it.”

An actual conversation. An actual experience. To me, that’s better than a photo.

Not so long ago, if you wanted to take pictures, you had to conciously decide to carry a camera with you. Not anymore. Everyone carries their cell phones everywhere, and all of them have built-in cameras.

So we take pictures constantly, creating an entire genre of photos we didn’t have a word for just ten years ago: the Facebook photo. It’s a quick snap of yourself and your friends, with a touch of where you are in the background, taken primarily to document the fact that you hung out with a given friend.

These photos can be fun, but they can also take away from actually enjoying a given moment.

In 2006 I wrote about how technology was starting to intrude on real moments, in real life. Some friends and I, during a trip to the St. Louis, stumbled upon a view of the World Series from the top story of a parking garage. It was amazing, but when I turned to my friends to talk to them about it I was interupted by cell phones. Everyone was on the phone, asking if their friends and famailes were watching the game and explaining that they were watching the game from a parking garage. I couldn’t share the moment with them, because they were sharing it with someone else.

People pay more attention to their phones now than I could have imagined way back in 2006. What you pay attention to matters, however, so I”m going to ask again: are you having actual experiences? Or do you do things simply for the sake of recording and sharing them?

Think about it. Sure: you can look at photos and videos whenever you want, but actual experiences only happen once.

Let Me Pay For TV Online – An Open Letter

Game of Thrones is quickly becoming the most pirated series of all time. I was contemplating why this might be, and ended up arranging my thoughts in the following open letter.

Hi. My name’s Justin Pot, and I’m one of those “young viewers” you talk about during your meetings. I know, I know: it’s hard to think of us as individual humans with freewill instead of as statistics that determine your corporate fate, but stick with me for a moment.

I like watching some of the shows you guys put out. Community, Parks and Rec, Mad Men and Game of Thrones are among my favorites, and all add something valuable to the Zeitgeist of popular culture and bring happiness into my life.

Here’s my point: I have never, and likely will never will, pay for a cable subscription. I might be willing to pay for a few TV channels or TV shows on an al le carte basis, but you are never going to persuade me to pay for a cable subscription that includes channels I’ll never watch. Put simply: I want to pay for the content I’ll actually watch and not subsidize crappy channels or reality shows.

I know what you’re thinking: “Well, you’d never be willing to pay for any content under any circumstance, you pirate.” To which I say: yarr. Also: you’re wrong. I donate hundreds to public radio every year, something I’m not even remotely required to do. And I’d be happy to pay for access to my favorite TV shows.

You make that hard. I can’t buy any episodes from season 2 of Game of Thrones in any form right now, and online streaming is limited to those who already pay for cable. HBO: you don’t even offer an online-only option.

So here’s the deal: offer your shows on an al le carte, subscription basis and I’ll happily pay to watch them, particularly if there are no commercials.

This is usually the point where people threaten to pirate the shows unless media companies give them the deal they’re looking for. Judging by how frequently shows like Mad Men and Game of Thrones are pirated, many people make this argument.

I don’t think I have to. The truth is, if I no longer had a way to access any of your shows, my life would go on. There is plenty of free, high-quality entertainment that is in all honesty probably better for me intellectually than your content. Public radio, high quality YouTube channels like Crash Course and Ze Frank, and Ted, just to name a few. Plus I can, you know, go outside, read a book or take part in an actual conversation.

My point is this: television used to demand most of the free time of Americans. It doesn’t any longer. Piracy isn’t the primary reason for that. Social networks, gaming and online video are all eating into the time we’d previously spend mindlessly watching your content. Last year millions decided cable was no longer worth paying for. Pulling your shows from the Internet is going to change that: it’s going to make your shows irrelevant.

Piracy is not your primary enemy: the shear amount of choice we all have is. If you’re not going to make it easy for me to access your content, I’m not going to bother. I love TV, but not enough to pay for a service I don’t need.

What you pay attention to matters

I love television; probably too much. Last night Kathy and I were watching Mad Men, the best show being made right now. Each episode reveals a lot about the many characters and leaves you with a lot to think about, something I apparently wasn’t interested in doing: as soon as the episode was over I picked up the remote and clicked over to Reddit to watch the latest in cats and craziness from the internets. Having the Internet on your TV means there never needs to be silence, that there is always something else to watch.

Kathy pointed out I do this constantly, that I compusively ensure something follows the thing we watched last. Growing up with TV this feels natural: something always comes on next. But this is an Internet setup, and I have a choice. I routinely choose noise over reflection.

I’m thankful Kathy pointed this out. I spend a lot of my time on the Internet, because it’s my job but also because I love it. But it’s an infinite world, and if you don’t force yourself to stop from time to time you simply never will.

In the early days of the Internet one site claimed to be the end of it.

The joke, of course, was that the amount of content on the Internet could never be experienced by any one person. This was (somewhat) true at the time, but is indisputably true now–so much so that claiming there could be an end to the Internet almost seems quaint. Today user-generated sites like YouTube, Reddit and The Social Networks almost certainly add more content in a day than I could consume in a lifetime. We are presented with infinite choice, and we can pay attention to whatever we want.

And what you pay attention to matters. Your personality is defined in no small part by the sum of your experiences–the way your mother put you to bed as an infant, the games you and your siblings played together growing up, even the classes you took in college.

The act of observing affects the observer–that’s just human. Everything you experience and interact with shapes and molds that ball of fat in your skull you by some miracle experience as conciousness. If you’re at a hockey game, that experience shapes you. If you’re at a hockey game but only end up remembering the conversation you had with the person you came with, that shapes you in a different way. What you pay attention to matters, because it ends up defining in part who you are. It determines what or whom you care about.

When I go to a hockey game today I see plenty of people barely looking at the ice, engaged instead with their phones. Right in front of them are some of earth’s best athletes, engaged in competition for their benefit. They paid for the tickets, but instead are looking at their phone.

You and you alone decide what you pay attention to, and today there are more choices than ever before. Kathy wants my attention. She wants a conversation, to engage with me the culture we get to experience together. She wants shared experiences.

I’m glad we’re together, because sometimes I feel without her I’d drift into cyberspace and never manage to make it back to earth.

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Hey, media: stop letting Apple use you as its PR department.

For all the talk of social media being the future of marketing, one company stands outside it all: Apple. This company’s every move is speculated about constantly on every social network, but how many people follow Apple on Twitter? None; they don’t have a Twitter page.

Apple knows a truth about social networking no supposed social media expert ever talks about: starving the beast is more effective than stuffing it. Information is only powerful if revealed on your terms, and Apple is the master of this.

So much speculation is built up by the time an Apple announcement happens that every journalist and blogger is compelled to write about it, even if they don’t think the actual announcement is that big a deal, because of the time investment they’ve already made.

Speaking of not being that big of a deal: the new iPad. Numbered-names are gone, and the resolution is higher. The device is more powerful. Also: Apple told journalists the post-PC age is here, and they all dutifully wrote that down and published it.

Here’s a hint: new versions of products come out every year, and they’re going to be better than last time. Other companies will copy the feature. It won’t magically connect you with other human beings or make you happier, but advertisements will subtly tell you otherwise.

In other words: Apple is a company making money by selling products. Journalists know not to cover every politician’s press conferences unless there’s reason to think something interesting will happen. It’s high time we did treated Apple the same way.

A version of this article appeared in episode 13 of Technophilia Podcast.

Network: When Satire Becomes Reality

I just watched Network, the classic 1976 film. I’ve said it before, but I’ll say it again: our reality today resembles the satire of the past to an alarming degree.

Network predicts the blurring of entertainment, opinion and news on television almost perfectly. It’s as though screenplay author Paddy Chayefsky traveled to our time, watched a couple of hours of cable news and, upon returning to the 70′s, started work on his screenplay.

Already in the 70′s, ratings determined the editorial direction of each news broadcast. Telling the truth is one value; getting as many people as possible to watch your show is another.

If a journalistic institution is doing well, truth has a chance. When times get rough, it’s time to focus on ratings regardless of truth.

Network takes this truth to its logical conclusion. Howard Beale, a respected newsman about to be fired because of bad ratings, calmly states he intends to kill himself on air. The resulting publicity makes him a sensation, and his follow-up rants only accelerate this.

Beale’s rants are perfectly out of sync with the cool headed TV journalism of the 70′s, but wouldn’t seem out of place on Fox News today. At all.

This is what makes watching Network in 2011 so compelling: the shift away from reason and towards a shallow populism is predicted as the inevitable result of the quest for ratings.

The media landscape is radically different today than it was in the 70′s. There are hundreds of TV channels competing for time, and then you have the Internet.

Do we ever have Internet. It’s gotten to the point where a two hour story is considered old, and as such not worth digging into more.

The quest for attention, for ratings, is triumphing over truth. Write the most sensational headline possible and you’ll get high ratings. Throw in some search engine friendly terms, because we’ve got to get traffic up. Avoid overly depressing topics; they won’t play well on Twitter or Facebook.

Throw a cat picture in there; that will attract some attention.

http://www.youtube.com/watch?v=Su9ZlxUI1L4

The Internet is a social medium lacking central control. It’s still evolving, and it’s not too late for us to make it productive. It’s not going to be easy, but let’s see what’s possible. Who’s with me?