Tom Bombadil Fan Art by GoldeenHerself

The Tom Bombadil theory of media literacy

One of the most profound lessons you can learn about media literacy is that it isn’t enough to talk about the content—you need to talk about the medium. People far smarter than me have written books and dissertations about this, but let’s start with an example that’s easy to grasp: the differences between the Lord of the Rings books and the movies.

I’m in the middle of re-reading these books for the first time in decades, time during which I’ve seen the movies several times. There are so many details in the books that aren’t present in the movies. The most famous example is Tom Bombadil, an ancient creature who is seemingly unconcerned with what’s happening in the outside world. He’s the only character in the books to wear the One Ring and be completely unaffected—he basically laughs and then gets back to his gardening. 

While reading the book, Tom Bombadil serves several purposes. He introduces you to the idea that there are all kinds of forces at play in the world, and some of them aren’t involved in the conflict at all. He leaves the characters, and the reader, feeling comforted and a little bit unsettled. 

But he also temporarily puts a stop to all forward momentum in the story. That can be interesting in a book, where you as the reader have time to reflect on what’s happening and put it into context on your own. Film doesn’t give you the kind of time you need to do that. Films are built on momentum—on one scene leading to the next, all constantly building toward a climax. Tom stopped that momentum and, as such, needed to be removed from the script even though his feathered cap, yellow boots and bright blue eyes would have been an engaging visual. Instead the hobbits go from the Shire to Bree in an on-screen instant. Film, built around visuals, requires constant forward momentum in order to capture the imagination.

Media theorists like Marshall McLuhan argue that this isn’t simply a choice that directors make—it’s something that’s baked into the medium of film itself. “The medium is the message,” the most famous quote attributed to McLuhan, is pointing at this truth—that the design of a medium itself shapes what can be said using it and, to a point, is a statement in itself. 

Understanding how film works, and how that function differs from the way a novel works, can help you see why Tom Bombadil was left out of the movies. But it can also give you critical insights about the world. A TV newscast, for example, must cover a news story differently than a newspaper article or podcast does, and you can generally work out why if you think about how the different mediums work. A TV newscast needs to keep your attention at all costs. You can’t put it down and come back later, or re-read a sentence you didn’t catch the first time. The visual imagery and on-screen text are essential to accomplishing that task. Fewer words will be used to tell the same story, and in most cases there will be more appeals to emotion. 

Paying attention to these media differences can help you think critically about what you’re taking in and, potentially, make it just a little bit easier to understand the world. This sort of media literacy is vital right now, so I’m going to spend a little more time on it for the next few weeks. First I’ll try to unpack what message is implicit to social media and how that got us into the mess we’re in now. Then, after that, I’ll talk a bit about how I use AI in my work (sparingly) and how my understanding of the way it works as a medium shapes that. I hope you’ll join me.

Tom Bombadil Fan Art by GoldeenHerself

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7 responses to “The Tom Bombadil theory of media literacy”

  1. Stooryduster Avatar

    @JustinPotBlog I was fascinated by Tom Bombadil and also the Ents when I first read the book in the 60s, and not much later I read the medium is the massage. I was fascinated by that because of how that book was put together. It used visual literacy as much as it did verbal literacy. Novel at the time. And I agree with the points your making. But exceptional communicators can break the rules. In film l’m thinking…

    1. Stooryduster Avatar

      @JustinPotBlog … thinking of the long shot in Lawrence of Arabia where Omar Sharif rides in from the desert. But would modern young audiences abandon the film at that point while watching it on their tablet? I’m old, I don’t know. I would hope not.

      1. The Justin Pot Blog Avatar
        The Justin Pot Blog

        There are for sure things you can do as a director that stretch the bounds of a medium but the medium always pushes back. I think may people who watch old films are surprised to learn how great they are, though, and I wish streaming services emphasized them a little more.

  2. Lance Avatar

    @JustinPotBlog I was so disappointed that old Tom Bombadil got short shrift in the movie adaptation. He's always been one of my favorite characters, and it seemed like a glaring omission by Peter Jackson.

    When I was much younger, I went to a Halloween costume party dressed as Tom. Last year, I did a photo shoot featuring Goldberry, River Woman's Daughter. https://www.flickr.com/photos/lancekingphoto/53901335642/in/dateposted-public/

    1. The Justin Pot Blog Avatar
      The Justin Pot Blog

      I enjoy these photos!

  3. Null Hypothesis Avatar

    @JustinPotBlog @Tooden
    The Bombadil chapter may have been Tolkien try to explore some questions about ‘evil' and the actions we can do, and the privilege to hang back when you don’t see a completely adverse outcome.

    ( I don’t think it was bit of sun for a break in a grey, wet, slog to the next plateau in the story.)

  4. David Brownman Avatar

    @JustinPotBlog re: "i'm going to set up my browser to do stuff like this automatically"

    I use https://libredirect.github.io/ and it's really slick! makes it so you don't have to think about it, it all just works. Desktop only, but there's an iOS equivalent that works pretty well.

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